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This works best when the "act" allows the characters to say things they are too scared to say in real life.
Every romantic storyline should follow a narrative curve similar to an action plot: A collision of worlds. This works best when the "act" allows the
What is the character afraid of? If a protagonist fears vulnerability because of a past betrayal, their "internal" obstacle is just as important as the external "rival" or "long-distance" plot point. This works best when the "act" allows the