А·ѓ А·ђ А¶ѕ А·ђа¶± А¶±а¶ё А¶њ А¶єа¶±а¶є Saula Wannama А¶± А¶§ А¶ё А¶‰а·ѓ А¶љ А¶ѕ Here

Like other Kandyan vannam , the Savula Vannama follows a specific seven-part structure: : The basic rhythmic beat. Berapadaya : The drum sequence.

: A melodic introduction used to establish the sound scale. Kaviya : The poetic verses (lyrics) describing the subject. Kasthirama : A rhythmic conclusion of a section. Seeru Maruwa : A transitional movement. Adauwa : A final, high-energy dance sequence. Musical and Performance Characteristics Like other Kandyan vannam , the Savula Vannama

: Most Kandyan vannam are believed to have been composed during the reign of King Sri Weera Parakrama Narendra Singha. They were likely written by a scholar named Ganithalankara , with the assistance of a monk from the Malwathu Viharaya, to be performed in the royal court ( Kavikara Maduwa ). Structure and Composition Kaviya : The poetic verses (lyrics) describing the subject