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0 1 2 4 6
- 4-6-7-9
LIVE RESULT
1=>126-480-578-679
2=>129-589-688-246
3=>247-689-256-238
4=>257-130-239-356
5=>258-249-267-168
6=>349-367-358-169
7=>368-269-449-467
8=>279-468-125-260
9=>568-450-577-900
0=>389-488-299-190
Mon. 1-4-8-6
Tue. 2-5-1-7
Wed. 1-8-6-9
Thu. 0-2-4-5
Fri. 0-1-6-8
Sat. 0-4-6-9
Sun. 5-1-2-0
19 14 10 16 11
50 55 58 51
40 45 46 42
21 20 29 25
82 85 89 81
61 69 65 68
Much like the concrete structures themselves, the track reflects an unshakeable, hard-edged defiance against systemic forces and rivalries.
He details lighting up and processing illicit business directly within the halls of these buildings.
Niska touches on the moral conflict of his past. He notes that while they are sinning and doing bad things now, maybe they will find redemption and make it to heaven later ("Après le rap on ira p't-être au paradis si on s'repentit").
Produced by Chapo and Heizenberg, the track serves as both a gritty defense of his origins and a triumphant victory lap over his massive commercial success. 🏢 The Metaphor of the "Bâtiment"
Niska frequently peppers his verses with slang and expressions from his Congolese heritage, as well as West Indian slang like "kounia manmanw" . This gives his music a distinct, multicultural flavor that resonates deeply across the global Francophone diaspora. ⚖️ Success, Guilt, and Duality
He brilliantly captures his sudden change in tax brackets with the closing bars. He reflects on going from being a poor kid in a cramped bedroom to having a view of the sea, noting that while he owes everything to the harsh neighborhood that made him, he is now completely outclassing everyone financially ("On a pas les mêmes fiches de paye, j'les déclasse tous").